Twenty three year old virtuoso pianist Jennifer Rogiers has been living with a terrible secret most of her life. When she enters the world famous Queen Elisabeth competition the memory of a traumatic childhood experience surfaces again.
Review
Carol Peralta (THE ORPHANAGE’s Belen Rueda) doesn’t believe in ghosts. To her, the supernatural is all superstition, and she’s got the scars to prove it. But bills must be paid and she knows how these things work so she’s become a medium, telling those willing to believe anything that everything they believe is real. When Carol receives word that her mother—the person responsible for her disbelief—has died, it only brings the opportunity to sell off her mother’s property and leave the small village she was raised in behind forever. However, her mother’s passing coincides with the village’s annual fall festival commemorating the opening of a sealed chapel said to be haunted by the spirit of a young girl whose ghost must be appeased with gifts for five days before the chapel is sealed up again. Into this unwanted distraction comes Emma (the extraordinary Maia Zaitegi), a little girl whose belief in the afterlife and a need to reach the chapel’s inhabitant carries with it a possible redemption—or damnation—for them all.
